Blues scale

The term blues scale is used to describe a few scales with differing numbers of pitches and related characteristics. See: blues.

The hexatonic, or six note, blues scale consists of the minor pentatonic scale plus the 4th or 5th degree[1][2][3]. A major feature of the blues scale is the use of blue notes,[4] however, since blue notes are considered alternative inflections, a blues scale may be considered to not fit the traditional definition of a scale.[5] At its most basic, a single version of this "blues scale" is commonly used over all changes (or chords) in a twelve bar blues progression.[6] Likewise, in contemporary jazz theory, its use is commonly based upon the key rather than the individual chord.[2]

Blues scale as minor pentatonic plus flat-5th/sharp-4th About this sound Play.

The heptatonic, or seven note, conception of the "blues scale" is as a diatonic scale (a major scale) with lowered third, fifth, and seventh degrees[7] and blues practice is derived from the "conjunction of 'African scales' and the diatonic western scales".[8] Steven Smith argues that, "to assign blue notes to a 'blues scale' is a momentous mistake, then, after all, unless we alter the meaning of 'scale'.[9] Indeed, the A minor pentatonic scale does have many uses.

Blues scale as diatonic scale with lowered 3rd, 5th, and 7th degrees About this sound Play.

References

  1. [[Jim Ferguson|(2000). All Blues Scale for Jazz Guitar: Solos, Grooves & Patterns, p.6. ISBN 0-7866-5213-6.
  2. 2.0 2.1 Arnold, Bruce (2002). The Essentials: Chord Charts, Scales and Lead Patterns for Guitar, p.8. ISBN 1-890944-94-7.
  3. Harrison, Mark (2003). Blues Piano: Hal Leonard Keyboard Style Series, p.8. ISBN 0-634-06169-0.
  4. "The Pentatonic and Blues Scale". How To Play Blues Guitar. 2008-07-09. http://how-to-play-blues-guitar.com/blues-concepts/the-pentatonic-and-blues-scale/. Retrieved 2008-07-11. 
  5. J. Bradford Robinson/Barry Kernfeld. "Blue Note", The New Grove Dictionary of Jazz, Second Edition, London (2002)
  6. "Blues Licks From Blues Scales". Between the Licks. 2008-02-25. http://betweenthelicks.com/blues-guitar/blues-licks-from-blues-scales. Retrieved 2008-06-24. 
  7. Smallwood, Richard (1980). "Gospel and Blues Improvisation" p.102, Music Educators Journal, Vol. 66, No. 5. (Jan., 1980), p.100-104.
  8. Oliver, Paul. "That Certain Feeling: Blues and Jazz... in 1890?" p.13, Popular Music, Vol. 10, No. 1, The 1890s. (Jan., 1991), pp. 11-19. Cites Rudi Blesh.
  9. Smith, Steven G. (1992). "Blues and Our Mind-Body Problem", Popular Music, Vol. 11, No. 1. (Jan., 1992), pp. 41-52.

External links

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